{"id":196,"date":"2020-02-21T13:05:48","date_gmt":"2020-02-21T12:05:48","guid":{"rendered":"http:\/\/astropolis.org\/booking\/?post_type=portfolio&p=196"},"modified":"2026-01-29T15:45:37","modified_gmt":"2026-01-29T14:45:37","slug":"maximes-dangles","status":"publish","type":"portfolio","link":"https:\/\/astropolis.org\/booking\/?portfolio=maximes-dangles","title":{"rendered":"MAXIME DANGLES"},"content":{"rendered":"
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Live – cin\u00e9-concert -dj set
Skrypt\u00f6m<\/strong><\/p>\n\n\n\n

Facebook<\/a> – Instagram<\/a> – Soundcloud<\/a><\/p>\n\n\n\n

Au milieu des ann\u00e9es 2000, Maxime Dangles entre par la grande porte des musiques \u00e9lectroniques, signant ses premiers maxis sur Kompakt<\/strong>, o\u00f9 sa techno m\u00e9lodique au groove classieux trouve parfaitement sa place. Ses sorties lui valent d\u2019\u00eatre remarqu\u00e9 par Moby<\/strong>, Simian Mobile Disco<\/strong>, Miss Kittin & The Hacker<\/strong> qui lui commandent des remixes. Fort de ce succ\u00e8s renouvel\u00e9 – Green Velvet<\/strong> lui confiant m\u00eame la mission de remixer son Millie Vanillie – il se produit sur d\u2019excellentes sc\u00e8nes comme le Berghain, le Rex Club, le Studio 80, Astropolis dont il est r\u00e9sident et m\u00eame en Chine. Il signe alors chez Bedrock, Herzblut, Break New Soil <\/strong>ou Skrypt\u00f6m<\/strong>, label de son ami Electric Rescue, aux c\u00f4t\u00e9s de qui il joue r\u00e9guli\u00e8rement en live au sein de M\u00f6d3rn<\/strong>. Un go\u00fbt et une exigence pour les performances abouties qu\u2019il cultive \u00e9galement en solo, comme l\u2019illustre son premier long-format \u2018Resilience\u2019, proclamant les mutations de son empreinte sonore, entre techno g\u00e9n\u00e9reuse et exaltante, electronica cotonneuse et composition organique et introspective. D\u00e9but 2010, le jeune sudiste d\u00e9laisse quelque peu les softwares et outils num\u00e9riques pour un nouvel univers musical aux sonorit\u00e9s tranchantes, brutes et percutantes, qu\u2019il d\u00e9veloppe au travers de son alias DNGLS<\/strong>. Quand il ne s\u2019affaire pas au live, il sillonne la France au gr\u00e9 de multiples collaborations, comme pour Ableton dont il est formateur certifi\u00e9 ou sa participation depuis 2019 au projet SONARS<\/strong> avec La Car\u00e8ne, pour un live organique et captivant sur la fragilit\u00e9 du milieu marin. En 2021, Maxime Dangles sort \u2018Chanfleury<\/strong>\u2019, son deuxi\u00e8me album, dont certains morceaux sont remix\u00e9s par Arnaud Rebotini ou Maelstrom. Cultivant son go\u00fbt pour l\u2019exp\u00e9rimentation, il composait plus r\u00e9cemment la bande-son du documentaire \u2018Les D\u00e9livr\u00e9s\u2019 de Thomas Grandr\u00e9my (Soudoreille), d\u00e9non\u00e7ant les d\u00e9rives de l\u2019uberisation en suivant la lutte syndicale et le stress quotidien des livreurs \u00e0 v\u00e9lo pour les grandes plateformes comme Delivroo ou Uber Eats. Un projet fort et poignant qui s\u2019adapte sur sc\u00e8ne en 2021 sous la forme d\u2019un cin\u00e9-concert qui laissera plus de place \u00e0 sa musique, orchestr\u00e9e live avec ses machines et son modulaire. En 2022, ce travail de bande-son s\u2019est prolong\u00e9 avec un album \u2018Les D\u00e9livr\u00e9s\u2019<\/strong> sorti sur Lifeguards<\/strong> entre IDM, electronica et club music qui a attir\u00e9 l\u2019attention de la presse (Tsugi, Radio Nova, Magic RPM, So Good,…). Nourri des sentiments de ces travailleurs de l\u2019ombre, Maxime Dangles prolonge leur combat de mani\u00e8re po\u00e9tique, mais aussi sur sc\u00e8ne avec un live immersif davantage orient\u00e9 dancefloor qui a fait sensation \u00e0 Astropolis ce d\u00e9but d\u2019ann\u00e9e 2023.<\/p>\n\n\n\n

Maxime Dangles est sans nul doute un expert des machines, un savant producteur prometteur \u00e0 l\u2019esth\u00e9tique futuriste, en qu\u00eate d\u2019un son spatial rare.<\/p>\n\n\n\n

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In the middle of the year 2000, Maxime Dangles entered the electronic music scene by the big door, releasing his first EPs on Kompakt<\/strong>, where his melodic techno with a classy groove found its place perfectly. His releases brought him to the attention of Moby, Simian Mobile Disco and R\u00f6yksopp, who commissioned remixes by him. At the beginning of 2010, the young French producer abandoned software and digital tools for a new musical universe with sharp, raw and percussive sounds, which he developed through his darker alias DNGLS<\/strong>. With this renewed success – Green Velvet even entrusted him with the mission of remixing his Millie Vanillie – he performed on excellent stages such as the Berghain<\/strong>, Rex Club, Studio 80<\/strong>, Astropolis<\/strong> – where he\u2019s a resident – and even in China. He then signed to Bedrock, Herzblut, Break New Soil<\/strong> or Skrypt\u00f6m<\/strong>, the label of his friend Electric Rescue, with whom he regularly plays live in M\u00f6d3rn<\/strong>. A taste and a requirement for accomplished performances that he also cultivates as a solo artist, as illustrated by his debut LP \u2018Resilience\u2019<\/strong>, which proclaims the mutations of his sonic imprint, between generous and exhilarating techno, cottony electronica and organic and introspective composition. When he\u2019s not working live, he travels around France with multiple collaborations, such as for Ableton, for which he is a certified trainer, or his participation since 2019 in the SONARS<\/strong> project with La Car\u00e8ne, for an organic and captivating live show on the fragility of the marine environment. In 2021, Maxime Dangles released \u2018Chanfleury\u2019<\/strong>, his second album, some of which were remixed by Arnaud Rebotini or Maelstrom. Cultivating his taste for experimentation, he more recently composed the soundtrack of the documentary \u2018Les D\u00e9livr\u00e9s\u2019<\/strong> by Thomas Grandr\u00e9my (Soudoreille), denouncing the excesses of uberisation by following the union struggle and the daily stress of Delivroo or Uber Eats deliverymen. A strong and poignant project that will be adapted on stage in 2021 in the form of a a film music concert that leaves more space for his music, orchestrated live with his machines and his modular. In 2022, this soundtrack work continued with an album \u2018Les D\u00e9livr\u00e9s\u2019<\/strong> released on Lifeguards<\/strong> between IDM, electronica and club music which attracted the attention of the medias (Tsugi, Radio Nova, 5Mag…). Nourished by the feelings of these shadow workers, Maxime Dangles extends their struggle in a poetic way, but also on stage with an immersive live set more oriented towards the dancefloor which caused a sensation at Astropolis at the beginning of 2023. Collecting innovative projects and exploring without limits, Maxime Dangles is undoubtedly a machine expert, a promising producer with a futuristic aesthetic, in search of a rare spatial sound.  <\/p>\n\n\n\n

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